Room Modes in an 11x20 ft Room with an 8 ft Ceiling

This 11x20 ft room, 8 ft to the ceiling, is a common size for a bedroom theater or dedicated music room. Like any sealed box it resonates at fixed low notes; the lowest one lands at 28.1 Hz, driven by the 20 ft length.

On the 0-100 modal score, this room comes in at 55, a rough score, worth planning around. Before you treat anything, know that two of its dimensions reinforce the same note near 140.7 Hz.

Lowest mode
28.1 Hz
Modes under 200 Hz
65
Schroeder frequency
179 Hz
Modal score
55/100

Mode spectrum

Mode spectrum · log frequency · stem height ≈ relative energy
Axial Tangential Oblique Cluster

6 dense clusters (≤5 Hz apart) — overlapping resonances are harder to treat evenly.

Each line is one standing wave. Axial modes, the strongest kind, stand tallest; tight bunches and wide empty stretches are where the bass will sound uneven.

Axial modes by dimension

Dimension1st2nd3rd4th
Length (20 ft)28.1 Hz56.3 Hz84.4 Hz112.5 Hz
Width (11 ft)51.2 Hz102.3 Hz153.5 Hz204.6 Hz
Ceiling height (8 ft)70.3 Hz140.7 Hz211 Hz281.3 Hz

What this means for your room

  • The lowest room mode is 28.1 Hz, set by the 20 ft length.
  • Your 20 ft length and 8 ft ceiling height both resonate at 140.7 Hz, so bass at that note will be much louder than its neighbours.
  • Between 28.1 Hz and 51.2 Hz there are no modes at all, so notes in that 23.1 Hz gap will sound thinner than the bass around them.
  • Mode density drops in the 40 Hz third-octave band (0 modes against 1 in the band below), so bass will sound uneven from note to note.
  • The proportions (1 : 1.38 : 2.50) fall outside the Bolt area because the room is long and narrow for its height, so modes bunch up along the length.
  • Below about 179 Hz (the Schroeder frequency) individual modes shape the sound; above it, reflections and reverb matter more.

Because your 20 ft length and 8 ft ceiling are close in size, their modes stack near 140.7 Hz. Expect that one note to sound louder, and ring longer, than the rest of the bass in this room.

In a home theater, this shows up as one bass note in an action scene sounding far louder than the rest of the mix, usually a kick drum hit or an LFE cue landing right on that stacked note. In a music room, the same thing means certain bass notes on a track jump out while others next to them feel buried.

At 1 : 1.38 : 2.50, this room sits outside the Bolt area because the room is long and narrow for its height, which bunches modes up along the length. Expect to lean on bass traps and seat position a bit more than in a room with friendlier proportions.

How to fix it, in order

  1. Start with bass traps in the four floor-to-ceiling corners; every mode in this room peaks there, including the ones set by your ceiling height.
  2. At 140.7 Hz the quarter wavelength is about 2 ft, deeper than any practical panel, so a porous trap alone will not fully absorb that note. Build corner traps as thick as you can fit (6 to 12 in, straddling the corner with an air gap behind) to take the edge off, then handle the note itself with a membrane or pressure trap tuned near it, careful seat position, and more than one subwoofer with EQ.
  3. Do not sit dead-center on the 20 ft length. Start near 7.6 ft from the front wall, about 38% of the way back, and adjust from there.
  4. For the subwoofer, try a few spots before settling: a front corner usually gives the most output but also the most uneven bass, while pulling it off the wall or adding a second sub often smooths out peaks like the ones this room has.
  5. After treating, run an REW sweep from the seat. Everything below 179 Hz is where these modes live, so that is the range worth checking before you call the room done.

These numbers assume an empty rectangular 11x20 room with hard walls. Draw your real room, add furniture and speakers, and simulate the bass at your seat.

Model this room in 3D

Every mode below 200 Hz

The table below lists every mode under 200 Hz for this room: 65 in all, 12 axial, 32 tangential and 21 oblique. Axial modes bounce between just two parallel surfaces (say, the two side walls) and are the loudest and most audible; tangential modes involve four surfaces and are quieter; oblique modes bounce off all six surfaces and are the faintest. Start with the axial rows; they cause most of the boomy or thin spots you will actually hear.

FrequencyTypeMode (length, width, height)
28.1 Hzaxial(1,0,0)
51.2 Hzaxial(0,1,0)
56.3 Hzaxial(2,0,0)
58.4 Hztangential(1,1,0)
70.3 Hzaxial(0,0,1)
75.8 Hztangential(1,0,1)
76 Hztangential(2,1,0)
84.4 Hzaxial(3,0,0)
87 Hztangential(0,1,1)
90.1 Hztangential(2,0,1)
91.4 Hzoblique(1,1,1)
98.7 Hztangential(3,1,0)
102.3 Hzaxial(0,2,0)
103.6 Hzoblique(2,1,1)
106.1 Hztangential(1,2,0)
109.9 Hztangential(3,0,1)
112.5 Hzaxial(4,0,0)
116.8 Hztangential(2,2,0)
121.2 Hzoblique(3,1,1)
123.6 Hztangential(4,1,0)
124.1 Hztangential(0,2,1)
127.3 Hzoblique(1,2,1)
132.6 Hztangential(3,2,0)
132.7 Hztangential(4,0,1)
136.3 Hzoblique(2,2,1)
140.7 Hzaxial(0,0,2)
140.7 Hzaxial(5,0,0)
142.2 Hzoblique(4,1,1)
143.5 Hztangential(1,0,2)
149.7 Hztangential(0,1,2)
149.7 Hztangential(5,1,0)
150.1 Hzoblique(3,2,1)
151.5 Hztangential(2,0,2)
152.1 Hztangential(4,2,0)
152.3 Hzoblique(1,1,2)
153.5 Hzaxial(0,3,0)
156 Hztangential(1,3,0)
157.3 Hztangential(5,0,1)
159.9 Hzoblique(2,1,2)
163.4 Hztangential(2,3,0)
164 Hztangential(3,0,2)
165.4 Hzoblique(5,1,1)
167.6 Hzoblique(4,2,1)
168.8 Hzaxial(6,0,0)
168.8 Hztangential(0,3,1)
171.1 Hzoblique(1,3,1)
171.8 Hzoblique(3,1,2)
173.9 Hztangential(0,2,2)
173.9 Hztangential(5,2,0)
175.1 Hztangential(3,3,0)
176.2 Hzoblique(1,2,2)
176.4 Hztangential(6,1,0)
177.9 Hzoblique(2,3,1)
180.1 Hztangential(4,0,2)
182.8 Hzoblique(2,2,2)
182.9 Hztangential(6,0,1)
187.3 Hzoblique(4,1,2)
187.6 Hzoblique(5,2,1)
188.7 Hzoblique(3,3,1)
189.9 Hzoblique(6,1,1)
190.3 Hztangential(4,3,0)
193.3 Hzoblique(3,2,2)
196.9 Hzaxial(7,0,0)
197.4 Hztangential(6,2,0)
198.9 Hztangential(5,0,2)

Questions about 11x20 rooms

Will an 11x20 room work for a home theater?
This size suits a bedroom theater or dedicated music room, though the 55/100 modal score signals some work ahead, mainly because two of its dimensions reinforce the same note near 140.7 Hz.
Where should I put bass traps in an 11x20 room?
Start in the four floor-to-ceiling corners; every mode in this room peaks there. The 140.7 Hz mode itself would need about 2 ft of depth to fully absorb, more than any panel can give, so build corner traps as thick as you can fit (6 to 12 in) and pair them with a membrane trap tuned near 140.7 Hz.
What subwoofer size is right for an 11 by 20 ft room?
There is no fixed sub size tied to 220 sq ft; that number mostly sets this room's mode frequencies (65 of them under 200 Hz). At this size you will want more headroom than a small room needs, and two subwoofers usually beat one at keeping bass even from seat to seat.
Why does my 11x20 room have one loud bass note?
The short answer for this room: two of its dimensions reinforce the same note near 140.7 Hz. Bass unevenness like that is built into the shape of the room and shows up regardless of what speakers or sub you use.
How do I fix bass problems in an 11x20 room?
Put bass traps in the four floor-to-ceiling corners first, as thick as you can fit (6 to 12 in) plus a membrane trap tuned near 140.7 Hz, since that note's own quarter wavelength (about 2 ft) is too deep for any panel. From there, move your seat to about 7.6 ft from the front wall, then measure with REW below 179 Hz to see what still needs work.

Similar room sizes

How these numbers are calculated

Modes use the rectangular-room equation f = (c/2)·√((nx/L)² + (ny/W)² + (nz/H)²) with c = 343 m/s, for an empty room with rigid walls. The Schroeder frequency is fs = 2000 x sqrt(RT60 / V), assuming RT60 = 0.4 s. The modal score starts at 100 and subtracts penalties for stacked modes, density dips, gaps, proportions outside the Bolt area and dimension multiples. Doors, openings and furniture shift real rooms away from these values, which is what the room mode calculator and the 3D editor are for.